Ginkgo Music Blog

Welcome to the Ginkgo Music blog

The most recent entries are posted below - please use the calendar and lists of categories on the right to find something interesting to read!

The run up to promotion

June 10th, 2009

Well have we got a crazy 3 months coming up. In readiness for promoting the album we’re making a short film/documentary about our story so far, featuring some of the contributing musicians along with footage of Ecuador we’re hoping to record on a trip we’re planning; we’d to visit some of the forests we’re helping to protect and we’re taking a sound-recordist to capture the noise, buzz and hoo-ha for the album. (We’re hoping to involve some rather splendid and well-known people in our journey so keep checking back for news on our success - eek.) Next up, our website’s about to get an upgrade to start accepting donations and pre-prders for the album AND we oh-so-know we’ve gotta get into Twitter and do more with our Facebook & MySpace pages. Finally, it’s all hands to the pump on getting the tracks mixed & mastered along with all the designwork for our beautiful, gorgeous absolutely-must-have booklet to accompany the album.

I’m so excited, and I just can’t hide it.

Oscar winner Jorge Drexler completes line-up of artists appearing on Tropical Forest Project: Ecuador

May 26th, 2009

Great news!  Jorge Drexler confirmed this week that he wants to contribute a track to the album, and his producer is searching for an alternate take of one of his songs for us.  So (provided they find one) the line-up for Tropical Forest Project: Ecuador is complete.

Jorge is a poetic and politically engaged lyricist.  In 2004 he became the first Uruguayan to win an Academy Award for composing the song “Al Otro Lado del Río” (Across the River) for the soundtrack to The Motorcycle Diaries, a wonderful biopic about an early episode in the life of Che Guevera.  Though Drexler himself sang the song on the movie soundtrack, it was performed by Antonio Banderas and Carlos Santana at the Academy Awards ceremony.  His latest album Cara B (2008) received a nomination for Best Latin Pop Album at the 2009 Grammy Awards.

We have a few additional instrumental parts and finishing touches to put on the album before it can be mixed & mastered - I’ll keep you posted.

Some tree news…

December 4th, 2008

New research suggests that coniferous forests release chemicals called terpenes triggering aerosol formation, doubling the thickness of clouds 1000m above, reflecting more sunlight away from the earth and moderating the climate. Terpenes are a major component in pine resin and turpentine. Reported in the Guardian, the research was originally published in the latest edition of Royal Society’s journal Philosophical Transactions A

New elements added to Martha Tilston’s song

November 13th, 2008

I’ve had an email from our producer, Peter Larsen, saying he’s just added some more elements (cello, violin and vocal harmony) to Martha Tilston’s track, with 2 of her musicians.

In typically understated Scandinavian style he was “mildly blown away by their musicianship” and how they “took the track from the universe of amazing, to even more amazing”‘.

Officially his favourite song… this week!

What a crazy Dane.

Congratulations to Barack Obama!

November 5th, 2008

I think I speak for all of Ginkgo Music’s volunteers and contributing artists when I say that we were profoundly moved and excited by Barack Obama’s election victory last night. For many reasons.

I read in a UK newspaper last week that he intends to create 5 million new jobs in the green sector, and wean the US from its dependence on fossil fuel. I’m not religious - but if I were I’d say (with an apology to Mr. Dawkins): “Thank God”.

Perhaps under Obama the USA will now take leadership in calling an end to our war on nature, and establish sound environmental management of this rare and beautiful planet, that we may continue to share it with the millions of other species of plant and animal who have survived and arrive with us at this moment of renewed hope.

Orchestrator’s notes II

November 5th, 2008

I’m writing to you whilst drinking coffee in a cafe in Canterbury - thumbs up to Boho Cafe, the very lovely people here very kindly provided me with the caffeine I needed after managing to slumber my way straight past the sign on the door that clearly said Closed.

So now I’ve woken up a bit, I thought I’d write to let you know what’s going on with the orchestrations for the upcoming CD release. In fact, I’m having a bit of a frustrating time of it - I’d really love to be fully immersed in the project; I love the music and feel very connected to why we’re producing this CD. Since I last wrote to you though, I’ve started a new job and it’s very full on.

I recently met with our producer, Peter. We listened to some of the tracks he’s recorded so far and some ideas we’ve both had for string sounds to complement the vocals and guitar. Valentin’s track is nearly finished now and Peter’s made a first draft of the strings for David McAlmont’s song. Peter and I agreed that it’s important not just to write string parts that sound lovely but also that match the structure of the song and ride its contours.

Won’t be long before we’re organising the recording session for the orchestra - I’ll write again then!

Producer’s perspective II

October 8th, 2008

I am always a little apprehensive about recording new Ginkgo artists, partly because I don’t know them and partly because I worry my game is up, they’ll see me as I am, a fraud, a scheister who can’t get it together.

Maybe it’s all because I am Danish.

The Nextmen turned up on my doorstep, all 3 of them. 2 blokes and a girl, I figured, in a fight against me they would definately win but since we were here to make music I quickly forgot about that.

They were wildly enthusiastic and friendly, me a little nervous. I made them a cup of tea and after disposing of the wet tea bags in the bread container I showed them the flat. They walked straight into the living room and said hello to my wife Mel who made fun of their names and asked them if they were American (good to have a funny wife, it creates an easy vibe).

Time to make music and was blown away by their level of musicianship. We recorded all 3 of them at the same time live in my bedroom (idea for album title: live from the bedroom!!!) Brad on Fender Rhodes, Dominic on acoustic guitar and Zarif lead vocals. We had some problems with the Fender Rhodes, it did’nt cut through properly but we went ahead with the recording anyway, my attitude was a bit like, “hey it’s rock’n'roll” and I was keen to get something recorded.  They nailed the track first take and after fixing a few rhodes parts afterwards it was time for another cup of tea. I had a good chat with Brad (chat with Brad is a good rhyme), he and Dominic are also producers. Sometimes putting 3 producers in the same room can be a recipe for disaster and again I was amazed how well we were able to communicate without the typical schoolyard competition, I really liked all 3 of them a lot. Zarif is an incredible vocalist and in her field probably one of the best I’ve worked with.

And so it was time to finish, they left and I cleared up. It took me 3 hours to set up for the session and one hour to take it all down. Weird how it seems easier to undo something than to do it - it took several years to build the twin towers and a couple of hours to tear them down which is actually quicker than it took for me to setup my studio for the Nextmen.

On Friday I am going to my good friend Andreas’ studio to put the rhodes through a guitar amp and record it back into the track, then off to have a drink.

Hope this was interesting.

Ginkgo Music visit Scotland

September 1st, 2008

Ginkgo Music visit Scotland
This ‘natural growth’ forest, is the remains of the ancient forest that once covered most of the hills and glens. Walking through the patches of sunlight we fell silent. Giant ant nests, butterflies, blueberries and the springy sphagnum beneath our feet, cast a spell. Tolkein fans thrilled to the Elvin nature of the place. The vitality and texture of the soft green vegetation on the forest floor gave an almost ‘mist like’ quality. The light filtered gently through leaves, flickering like water. Unlike the plantation forest, trees here grow far enough apart to make walking easy and a pleasure, while bracken, moss, and other vegetation receive sunlight to grow and provide a habitat for the fauna to thrive. This is crucial for the maintenance of biodiversity. We believe beauty inspires us, not only to protect this planet’s biodiversity, but to give us something important in our lives.
Forest

The team look through a high powered telescope - not for hunting purposes - but to see the many red deer herds that live up on the hills. Deer descend into the glens in cold weather, but the ticks and midges (which Scotland is famous for) keep them up on the high ridges in August. One female was standing outlined against the sky on the ridge and framing her were two sets of magnificent twelve point antlers - the two great stag owners of which must have been sitting just beyond the horizon line. It was a wonderful and evocative sight. Shifting the lens slightly our guide, Jim Cornfoot, found a herd of young males, all sitting peacefully, their graceful antlers like natural crowns. Edwin Landseer would have reached for his paintbrushes. What was most amazing to us was how, with the naked eye, we simply could not see any sign of the deer at all. Without Jim’s knowledge we would never even have known to train our binoculars on the hillside - mistaking their shadows for naturally occurring bumps in terrain.
Telescope 

Our guide, Jim Cornfoot, who generously and graciously gave us his time as a donation to Ginkgo Music, has lived and worked in the area for many years. He spoke passionately about the area and about the skills needed to preserve and rejuvenate the biodiversity of the Cairngorms National Park. He showed us how the areas where deer and goats (which have gone wild, having once been released to act as ’sheep goats’ – keeping sheep away from dangerous cliff edges with their presence) are now beginning to re-forest. Small clumps of beech, alder and rowan are growing back, right the way up the hillsides on the lower hills. It surprised us – we’d thought the altitude was the reason the forest didn’t grow, creating the ‘traditional highland’ barren hillside.
Jim Cornfoot

Irma, the gorgeous Cuban looks out over the loch. If you look behind her head you can see the traditional way the hillside’s heather is cultivated – burnt off in patches during the last of the winter snows – so the patches of snow stop the flames. Whole sides of mountains are pink, while the velvet green sweeps downwards with its soft enveloping texture across the valley floor. Thus, the baby grouse get new low growth to feed on, while mummy and daddy grouse can build their nests in the older, higher growth – out of sight of foxes and humans with guns. Although forest would have grown here originally, this heather moor maintenance is hundreds of years, if not millennia old. But this traditional method is now being challenged and displaced by newer, and less effective measures. Grouse shoots are finding not enough prey, and are erroneously blaming wild birds of prey – including the magnificent (reintroduced) osprey (a fishing eagle). In the past it was gamekeepers and shepherds who were thought to have contributed to the near extinction of these birds in this area.
Irma 

Mthoko, a Zulu by tribe and nature, conjures clouds using a mixture of traditional South African dance (using his wellies as a drum box) and T’ai Chi. His favourite part of South Africa is the Dragonsburg, so he felt very much at home in this dramatic, regal environment. Luckily, he was less successful at conjuring rainclouds, and we marvelled at the azure blue sky seen above the craggy hills that tumbled one after another across the glen. The weather is notorious in the Cairngorms. The morning had started ‘dree’ or grey, rainy and misty, and by midday we had brilliant sunshine. Thus we knew the place loved us as much as we loved it. However walking the hills is no joke – if you go, make sure someone knows your exact route, that you have proper kit, supplies and a compass. A compass you know how to use. Every year people are lost out on the hills. Rescuers scramble from nearby villages and risk their own lives looking for them. There are so many ways our behaviour can impact a rural or wilderness place, and all those who make their lives there. Including the humans.
Mthoko

Small jewel flowers, like this beautiful yellow specimen, grow amongst cushions of sphagnum moss along the Findhorn River valley. A wild version of the ‘pincushion’ (scabious) you may grow in your gardens, and bright purple members of the violet family were also flowering. Butterflies flitted about the place. We tried to keep our great city feet off the flora, the fauna usually got out of the way quick enough. We sighted many red squirrels, the native squirrel species of the British Isles, long since extinct in most other parts of the country. It was quite adorably cute. Yes I know we shouldn’t anthropomorphise animals (apparently it’s bad for some reason – oh yes, human egos) but they did not disappoint and on the ‘Beatrix Potter Scale’ (a scale for measuring cuteness) they scored a top eight out of eight. The local cattle varieties, whose calves looked like a cross between a teddy bear and a cow, scored a six point five.
Yellow Flower

By the side of the loch, peace and quiet. Babchicks, and grebes with their astonishing amber eyes, show us that it is not only in Ecuador that beautiful and exotic looking creatures can live – if we let them have their habitat. The beech has small delicate leaves that flutter in the wind. There are both a ‘weeping’ and an upright variety. Ants ‘farm’ white fly in the branches (occasionally dropping off onto horrified city ginkgo members’ shoulders or arms). ‘Old man’s beard’ and other lichens create the illusion of coral reefs over the boughs and branches, in the ‘underwater’ quality of the green-tinged, leaf dappled light. Branches and trunks are covered in thick green velvet moss, as though some mad artist has sewn them soft green suits. Birds call and sing. A woodpecker hammers. The waters of the loch are glimpsed through hanging green pennants. We want to lie on the soft mossy floor and sleep.
Loch and Trees

This is a traditional and beautiful view of this area of Scotland. A view down the glen, with the Findhorn river and its dark amber waters. This is not pollution, but the leeching out of the peat moors along the way. It is this fine water that gives the many different Speyside Malts their distinctive and delicious flavours. Neil – a team buddy – handed out whisky and water before dinner. As with many aquried tastes, some found it unpleasant, although many of us had our eyes opened to the divine nature of the drink and finally ‘got’ why people make such a fuss about it the world over. The trick seems to be – drink with water so you get the flavour, rather than just the alcohol kick, and drink with a soft water – like the water it was made with in the first place. We were lucky our soft mineral water flowed free out of the tap. But all of us loved the deep whisky colour of the Findhorn. With the blue sky reflected in it, dotted and framed by granite pebbles and boulders sparkling with pyrites, it was a glorious sight and sound.

Peaty River

The Ginkgo Team originally went in search of ospreys, but they had already ‘left the nest’. Some of us were worried there was not much else to see or do – we couldn’t have been more wrong. Simply being in that beautiful place was a balm for the soul, mind and heart. This is why we think city people need wildernesses to be not only protected, but also ‘regrown’ wherever possible. Despite the lack of osprey sightings the Ginkgos had a great time in the Cairngorms National Park, hosted by the wry and dry (as wry and dry as a fine malt we may say) Ian Bishop and his wife Liz in their superbly comfortable, warm, clean, and spacious Green ‘hostel’. www.slochd.co.uk. We can only thank them, and guide Jim Cornfoot whose passion and love of the area inspired us. Lock up your whisky - We will be back.
Sunlight through trees

The Nextmen to record for Tropical Forest Project: Ecuador

August 28th, 2008

We’re delighted to announce that The Nextmen have been given the go ahead by Universal Music to record a new acoustic version of one of their songs for Tropical Forest Project: Ecuador.

The Nextmen, aka Dom Search and Brad Baloo, have been producing, mixing and DJ-ing all across the world. Influenced by their eclectic DJ sets, their current and third studio album, ‘This Was Supposed To Be The Future’, revels in everything from reggae, dancehall and hip hop to funk, soul and rare groove.

The Nextmen were recommended to me by palaeoclimatologist Professor David Beerling back in June at the Hay-On-Wye Festival of Literature. David, whose book The Emerald Planet examines the role evolving plants had in shaping the atmosphere during the last 3.5 billion years, gave a brilliantly lucid and beautifully illustrated talk entitled Fossil Forests and Climate Crisis, following which I asked him, over a jug of Pimms, who he would like to see on our Ecuador album. The rest, as they say, is history… or soon will be.

Earth Shattering

August 27th, 2008

Mathematicians have demonstrated that the beat of a butterfly’s wing will alter the timing of a hurricane on the other side of the planet six months later. Songwriters and singers have an advantage in that, under the lens of a melody, the smallest detail can be magnified and reverberate in a listener’s head. The things we think, the things we say and the things we sing make a difference.

As an organisation committed to halting deforestation by creating projects linking music and ecology, one of our goals is to stimulate new music writing that understands, illuminates and transforms our relationship to nature. A growing number of poets are addressing ecological issues - does ecopoetry provide clues for songwriters and lyricists? If you want to explore this idea here are a couple of recent collections:

  • The Thunder Mutters: 101 Poems for the Planet, edited by Alice Oswald (Penguin, 2006)
  • Earth Shattering, edited by Neil Astley (Bloodaxe, 2007)

Both of these are available from the Ginkgo Music online shop: www.ginkgomusic.com/shop

We agree with what Bloodaxe write on their website: “As the world’s politicians and corporations orchestrate our headlong rush towards eco-Armageddon, poetry may seem like a hopeless gesture. But its power is in the detail, in the force of each individual poem, in every poem’s effect on every reader. And anyone whose resolve is stirred will strengthen the collective call for change.”

Have a read.